The Hardest Part of Being a Writer

Kristan Hoffman writes: “Some days the font is all wrong. Some days your wrists hurt. Or your back hurts. Or both. Some days your dog won’t stop barking, and there are three loads of laundry to fold. Some days you can’t fall asleep because you’ve got a million ideas for your story. Some days you can’t remember a single one.

Some days the words just flow. Hundreds, maybe thousands of them in a rush. Some days you feel so high. Some days you laugh at your own funny parts, and cry at the sad ones. Some days you know that this book is The One.

Then some days you read about that 7-figure, 3-book deal and you just want to scream. Some days you think it’s never going to be you. Some days you wonder why you even bother.

And some days you read a great book, and you think, This is why. I can do this. I will do this. I am doing this.”

I love this advice and it reiterates what many great writers have said. For example, George Orwell notes that, “Writing a book is a long, exhausting struggle, like a long bout of some painful illness.” Even the Everest of a writer, F. Scott Fitzgerald, admitted, “All good writing is swimming under water and holding your breath.”

As I struggle to re-write portions of my next thriller, it is helpful to have these thoughts to ponder and ease the burden. Sometimes, putting the computer down and losing myself in my plot or character gives me the space to find new ideas and better ways to write about them. I wonder if giving my thoughts more space allows new ones the room to come in?

As an author, do I plan the plot or not?

Aha – the plot thickens! Well, so it should. I was once asked whether the plot for 3 WISE MEN was clear before I started writing, or did it grow as the word count increased? It is best to answer this in two ways:

  1. The two basic ideas were floating around in my mind for about 2 years.
  2. My wife and I visited locations in the south of France, but I did not start writing the book until we were taking the train from Nice to Paris a few days later. It may have been the sunshine, or the lovely swims in the Mediterranean that set the writing wheels in motion – or, it could have been the train wheels engaging with the writing cogs? Originally, I hoped to have the book largely written before embarking on the trip. This approach simply didn’t work for me. There are so many details that are needed for an authentic thriller, that I needed to see the main places firsthand. Here is one brief example of a cafe that we came across one day, but it was a Sunday and it was closed. So, we made a point of visiting it the next day, and it proved to be a great meeting place for Jak to catch up with an old teaching colleague of his. They both taught together at the University of Milan, which if the pinkish-red building on the left in this photo.
    [novel extract: “His favorite café – the Bar Arcibaldo – was just across the street from the university entrance, and Jak was delighted to enter and finally shake off the cold air. Not only was this a good place to relax, but it was also an opportunity to enjoy the company of fellow university students and lecturers who frequently gathered here between classes and at the end of their academic day.] Note: “Nun Te Pago” means “Not paid.”
  3. When faced with a “what do I write next?” scenario, I tended to wait a few days until the basic ideas flowed. This was usually in the morning. Once I had the next step in the plot worked out I would type furiously to get it all down. Sometimes, things happened that I had not expected in the plot. Hopefully, neither will the reader be expecting them!
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