Most Unforgettable Characters

The Readers Digest used to include “The Most Unforgettable Character I Ever Met.” That’s a good guide to developing characters in a novel – making them as unforgettable as possible. But, how do we do that when most of our friends seem ‘ordinary?’ We embellishm by definition, “Embellish means to enhance, decorate, or add ornamental details to make something more attractive, or to add fictitious, exaggerated details to a story or statement. Derived from the Latin bellus (“beautiful”), it involves adding extra, often unnecessary, elements to improve the appearance or interest of a subject.” It may be a character like Sir Henry Sweetman?

“After Frankfurt, head to Gibraltar to make inquiries.”

“I know Gibraltar like the back of my hand and still have many contacts there,” I reply.

“Including a retired gentleman called Sweetman?”

I frown. “I’ve heard about Sweetman, but he’s hardly a gentleman and there’s nothing sweet about him. He’s a sour and grumpy fellow who once worked for MI5, and raised a few eyebrows when we lost a helicopter filled with VIPs back in—”

In the above conversation we have established a few facts about Sweetman. He seems to be an unsavory character and hardly a gentleman. It is just up to me, as the writer, to add a few more details as the plot unfolds and, in whatever direction it does, Sweetman will be on the path to conflict. I never intended to play on the name ‘Sweetman’ but it worked rather well.

Importance of Locations in MUTINY

Trieste Coast and Miramare Castle

My dear wife spoke at the launch of MUTINY and said that she wondered whether the places we visited were because of the novel, or if the novel was written around them? In other words, did I design the travel first and use the locations for the novel, or did I plan the locations from the get-go, knowing they would feature in MUTINY?

The answer is a little complication—key locations were chosen, but secondary ones were woven into the plot. For example, Dubrovnik was ideal as a location, but we visited Trieste and it seemed a natural fit for one of the characters. In fact, I was hoping to use Trieste as a major plot element, but it didn’t quite fit. Perhaps, after all, Trieste might be better suited for another novel? It is a stunning city and an intriguing coastline. For the avid reader, may I recommend “Trieste and the Meaning of Nowhere” by Jan Morris – described as “a sublime meditation on a most unusual city.” It’s a beautifully crafted look at Trieste and the people who helped shape it. If only I could have utilised the Luxurious Miramare Castle – built from 1856 to 1860 for Austrian Archduke Ferdinand Maximilian and his wife, Charlotte of Belgium. Maximilian later became Emperor Maximilian I of Mexico – wherein is a tale with many twists and, alas, the demise of the puppet-hero. There were too many rooms to count in the castle and some we were not allowed entry to. However, my swim in the surrounding Adriatic was most relaxing. I’m sorry, Trieste, but maybe next time you will become an immortal location for one of my novels.

Possibilities

Our grandson said to us, when he was four, that he “had options.” I love that phrase. When writing, I think about the relevancy or possibilities of my plot. I have “options” – options to make the story far-fetched, or to embrace currency. Is the plot plausible or relevant? If it is, then readers are more engaged, unless they are seeking science fiction or fantasy. In MUTINY, my main themes include Artificial Intelligence, Quantum Physics and Cryptocurrency. The challenge was to reduce these complex topics to their simplest denominators and wrap them into a major heist that appealed to my readers. A chance meeting with a young programming geek helped. He was working for <insert name of famous tech company> and understood the technical aspect of using computers to pull off the kind of heist I was planning. The result? You will need to read MUTINY to find out.

MUTINY and the Power of a Gift

It’s often the small things that make a big difference in our lives – like a gesture of kindness or a little gift of encouragement. I remember being given a toy boat as a young boy and the hours of joy it brought me. You will notice a yellow toy submarine on the back cover of MUTINY. Just a toy, but lots of meaning, and the significance of this toy does not become apparent until the final chapters of the novel. Other elements become significant at this stage too, especially for the main protagonist. In novels, we often expect characters to develop, change or ‘arc’ as the plot unfolds. I was surprised how many of my characters managed to do this in MUTINY. But, after all, a novel needs surprises!

Too Many Characters?

Characters

Superman, releasing in July 2025, is stacked with characters. In the movie, we know that Superman/Clark Kent (obviously), Krypto, Lois Lane, Ma Kent, Pa Kent, Green Lantern, Hawkgirl, Mister Terrific, Metamorpho, The Engineer, Lex Luthor, Perry White whoever the large man in all black is, and now, possibly Supergirl are in the movie. That’s thirteen characters in the film which is certainly quite a few, and that doesn’t count other characters we don’t know about yet. The question is, is that too many?

I came across this problem early in my new book. When I say ‘early’ I mean in Chapter 3. My wife read it and said that the number of characters made it confusing and my sister said the same. So, was it chop, chop? Not quite. I overcame the problem by adding a new chapter before #3 and using it to introduce just two characters and create the relationship between them. Yes, it took a while to figure out, but has made a big difference to the readability and flow of the plot, and a cleaner character development.

What Makes a Good Thriller

One definition: A thriller is a fast-paced novel full of conflict, tension, suspense, unexpected twists, and high stakes. Every single scene and element in a thriller is meant to propel the action forward, test the characters, and take the readers on a roller coaster ride that will leave them on the edge of their seats. I was visiting technology schools in California a few years ago and my companion and I rushed off to enjoy a roller coaster ride, straight after breakfast. By the time I had been thrown around and tossed up and down, I felt physically sick. It might have been the big breakfast! This raises an interesting thought—how much of a wild ride do good thrillers have to have? For some, the pace is never too fast; for others, a more measured rise in tension is preferred. I think I’m in between. I like twists and turns, yet also building tension. And, I am over plots that are too far fetched. For me, the action must be real, or plausible. The bottom line is that a thriller needs to have thrills, no matter what the ride is like.

The Element of Surprise

What makes a good read? Surprises and lots of them. OK, what do I mean by “surprises?” Surprises are out-of-the-blue moments that interrupt the flow of the novel and take it, or a character, in a different direction. Too many surprises and they are not surprises anymore. That’s why I only use a few, and only as necessary to enhance the plot. In my novel, the end chapters reference the kind of surprises that we enjoyed as children at Christmas time. Something like this;

[“Thank you,” says Rian. “I have another surprise for you too.”

“Oh?”

“Please close your eyes.”

My senses peak. I hear the slap, slap of halyards against the yacht mast and I’m reminded of the tap, tap of Sweetman’s cane at The Rock Hotel, though that was a lifetime ago.

Seagulls squawk. I’m getting hot and the anticipation is killing me. Then, high heels come clacking across the sandstone terrace, getting louder. A shadow darkens my eyes and a tender arm wraps around my neck. The kiss is sweet and soft and the air wafts with perfume; a sexy mix of jasmine and vanilla. My mind is alive with intrigue.

“Who?” I ask.

“It’s been a while,” she replies. The voice is lilting and familiar, yet I can’t place it. I dive inside my memory banks, but they are empty except for the hint of a French accent. Was she in Paris? Damn, I used to recall names with ease and am about to ask for a clue when she says, “You can open your eyes now.”

I look up. Golden hair cascades in the sun and her face is shadowed under an old straw hat, its tattered red ribbon fluttering in the breeze. My eyes adjust and my mind catches up.

“Claudine, what a surprise and, I must say, a pleasure too.”

“My name is now Chloé Dupont,” she laughs.

“It’s been a long time. You’ve changed,” I add.

She smiles and wags a finger asking, “How have I changed?”

“You look more beautiful than ever, and happier too.” She giggles and kisses me again.

“Another glass please, Rian,” I say. “Let’s celebrate Watershed with our new guest, the lovely Chloé Dupont.” The day seems brighter. She rests her glass, tosses her hair and hands me a parcel.

“A small gift for you,” she chuckles.

“You shouldn’t have,” I protest.

Her reply puts me in my place when she says, “It’s better to give than receive.” I like that and must remember it.

The Christmas wrapping is enticing and topped with a large, yellow bow.

“I wonder what this could be?” I reply, shaking it in the way I did as an excited young boy on Christmas Eve. I loved to see the present wrapped and stacked beneath the family tree, and try to guess the contents of each one—perhaps a toy rifle for me to fight off the enemy, or a sword to cut off their heads? Better still, the whole outfit—a Lone Ranger suit, complete with mask and pistols? I made several attempts to discover the wrapped secrets. My parents never approved, but Chloé encourages me.

She laughs, “Can you guess what it is?”

“It feels solid,” I say. “A strange shape, rounded at each end.”

“Just a small keepsake,” she adds.]

I guess you want to know what the surprise is? Aha, wait for the book 🙂

While You Wait

Waiting is a difficult game and not many of us are built to handle it well. “Waiting for what?” you might ask. It could be waiting for your next plot idea, next book concept, or waiting for a literary agent to get back to you after a full manuscript request. So, to ease the pain, here are a few suggestions:

  1. Relax. Take time to review you plot outline. Go back over your character arcs too. Like a good meal, add some spice and “kick it up a notch” where you feel best to do so.
  2. Start another book. That is, look forward. Never look back too far and keep on being creative because that’s where the juices flow best. Begin to outline some ideas for your next novel. Will it be the same genre or a new venture – perhaps a YA or even a children’s book?
  3. Take stock of major events; events in your own life or current events. Read the news and sniff out another story. You might find an article that brings a great perspective. Has something unusual happened that might bring freshness to you story? Ah, the inspiration for a book surrounds us all. In 3 WISE MEN, I was ruminating and came up with a great new chapter to slot into a rather pedestrian section. It worked so well that I reprinted the book. Finally,
  4. Get out of your head and take a walk around your world. Listen to conversations, sit at a coffee shop and observe. Volunteer and learn.

The Day of the Jackal Sets a High Bar for Thrillers

Author Lee Child has published 25 thrillers, featuring Jack Reacher, which have sold more than 100 million copies worldwide.So when he says The Day Of The Jackal is “a year-zero, game-changing thriller, one of the most significant of all time” you listen.

It is 50 years since the book by Frederick Forsyth was published but, in a new introduction to a special anniversary edition, Child says it still feels “luminously fresh and new”.

And no-one is more surprised than Forsyth himself. Not only was it his first novel, but also he tells the BBC: “I’d never written a word of fiction in my life.”

Back in 1970, the former RAF pilot and war correspondent was out of work. “[I was] skint, in debt, no flat, no car, no nothing and I just thought, ‘How do I get myself out of this hole?’ And I came up with probably the zaniest solution – write a novel,” he says.

Forsyth “dashed off” The Day Of The Jackal quickly on an old typewriter in 35 days. It is a gripping tale, set in 1963, about an Englishman hired to assassinate the French president at the time, Charles de Gaulle. But publishers were not interested. After all de Gaulle was very much alive, the mission had obviously failed, so where was the suspense? That, says Child, is the key to its success.

“It had a wholly new approach. It was talking about how things were done, rather than would something succeed. [read more from the BBC here]. PS: I smiled when I read this article and hope that my new thriller is a success because the mission given to the lead character fails to unfold in the way we would expect. (oops, did I give too much away?)

Character Arcs Are Not All the Same

Oh how we love character arcs (youtube is full of them). A good protagonist ends up bad, or a bad one turns good. Or, a level-headed character stays that way to meet challenges head-on. News channels love to publish about someone who has ‘fallen from grace’ or done something awful. We all have stories about fallen characters. I am reminded of what the great Apostle Paul said (in Romans 3:23) – “all have sinned, and come short…” In other words, none of us are perfect. We aim to be better (or worse) and our character trends or arcs upwards or downwards, or stays level. An arc is a line that is part of a circle; character arcs are the same and three types are listed below. However, there is another arc you should consider, and it is the arc of electricity makes as it moves from one source to another. A spark arcs as an electrical discharge between two electrodes. We saw that in a spectacular way a few days ago. Our stove caught fire and, when we looked inside, there were sparks arcing at the back of the main oven. In writing, I like to think of this arcing as being between characters. Sparks fly as conflict develops and, as conflict develops, you want to keep reading. Now, back to character arcs:

 

Here are three basic character arcs (source from tkpublishing):

What is a Positive Character Arc?

A positive change arc is one in which the protagonist undergoes a positive transformation. This usually includes a neat resolution at the end, where, because of their internal change, the character finally achieves their goals. An example of a positive character arc in classic literature is that of Marilla, the woman who adopts Anne in Anne of Green Gables. Marilla starts off uninterested in keeping the little girl, but as the story progresses, we see her developing a subtle but strong affection for Anne.

Negative Character Arcs

But not all stories have a happy ending: a negative change arc is one that still shows how your character develops, but not toward a positive transformation. Instead, this arc illustrates a downward spiral. However, the basic “arc” pattern remains the same, as it is still about how your protagonist starts one way and ends up another. Leo Tolstoy’s Anna Karenina is a classic example of a negative character arc. From the beginnings of her adultery, Anna Karenina continues to spiral downward, only to reach a tragic end at the end of the book.

What Is a Flat Character Arc?

Another character arc is the flat arc, wherein the character already has their beliefs in place and uses them to solve problems throughout the story; but even as the story ends, the character remains mostly the same. The development of Miss Maudie, the children’s aunt in Harper Lee’s To Kill a Mockingbird, is an example of a flat character arc. She remains steadfast in her beliefs from her first scene until the end of the book.

[PS: my main character is an ageing spy who has second-thoughts about the value of his career. I will say no more.]