Average Book Length is Hardly Average

In an earlier post, I discussed book lengths. An interesting aside—when researching this topic on the internet, pay close attention to the date of the article or discussion. Here’s why:

You will notice that this research, based on the New York Bestseller list (see full article here) shows a very clear trend down from 467pp (in 2011) to 273 (in 2017)! In my new thriller, my draft manuscript hovered around 74,000 words. Now, following severe editing and adding critical plot and character details, it is sitting at 82,000 words. At this count, the book feels ‘right’. What do I mean by feel? I mean exactly that. Pick up a 74,000 word book and it feels a bit on the thin side. Now, try the 82,000 word novel and it has a good heft; a sense of substance, and I know I will be reading a story with a well—developed plot and depth of detail. Of course, this assumes that the story is well—written, and the plot exciting, with many twists and turns.

The Word Count?

Nothing counts like word counts. As a general rule, I am against generalities about word counts. But publishers and, more critically, the readers are not—they have preferences and expectations which we, as writers, would be fools to ignore!

My readers of 3 WISE MEN commented on how much they enjoyed the short chapters—ones that left them hanging and wanting more. Short chapters help a fast—paced thriller or suspense novel. For me, a very short chapter is around 400 words and the longest about 1400 words. That is, between two and five pages.

I have on my desk a copy of ‘The Icarus Agenda‘ by Robert Ludlum. At over 630pp, it weighs about the same as an iPad. You could use this hardback to defend yourself on a dark night! What’s more, the language is very descriptive, and the opening scene takes the reader around the whole compass in describing the Gulf of Oman. OK, Ludlum may have appealed to readers a few years ago, but modern readers have less patience? Publishers, et al, suggest that a book should be as long as the story requires, along with the following guidelines:

  • Literary and epic fantasy: 100-120K
  • Crime, Romance, Horror, Comedy etc: 70-90K
  • YA and Erotica: 50-70K
  • Novellas: 20-40K

So, what is the personal sweet spot for my two thrillers? The first draft of 3 WISE MEN was around 68000 words. The revisions upped this to 90000 words. Fierce editing dropped it back to around 75000 words and the final revision, with an added chapter, finished at 83000 words. By this time, I was very happy that the story had been told, and rounded off, in the way I wanted it to be.

With my new novel, I considered reader feedback and did the tough editing, etc. This process dropped the word count from around 76000–>74000, which I was happy with. Did I regret the loss of these 2000 words? Not at all. In fact I believe it is a better read now, with very few ‘fill’ words. My final edit included some additional material and finished at 78000 words. The extra material added interest to the plot and I felt happier with this final draft. Now I await a literary agent (puts smiley face here).

Will an editor want further changes? Of course, and that is the beauty and rigor of traditional publishing. More about self vs trad publishing in another post. Meawhile, I use the above word counts as a guide only. When a reader holds a 300pp book they do feel that it is a good length and will provide a read that is worth the investment. When I picked up Ludlum’s book, I got a workout!

 

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