
Conflict makes a thriller and there must be conflict of a major kind in the opening pages to hold the reader’s attention. In MUTINY, a major event occurs before Chapter Three – a strange turn of events that puzzles the protagonist and thrusts the plot forward. A few years ago, we took a visitor to a Star Wars movie. Before we sat down, there was a major battle raging. We were thrust into the drama and soon realised that we had come into the cinema at the end of the movie, rather than the beginning. We had chosen the wrong theatre! Some writers suggest starting a book at the highest point of tension. I prefer a more subtle beginning, but confronting readers with a major plot drama before they have read more than a few pages. In the second paragraph I create intrigue with:
{My heart is pounding and I finally dare to look, but nobody’s out of place in the crowd. Who’s following me? One minute I think it’s the man with his dog and next, the woman with her stroller.}
Then, at the end of Chapter Two:
[‘Body Found Hanging in London Museum.’
My heart races as I follow the news flash.]
Well, we’re off to a good start with lots of unanswered questions, but will I have answers by the end of MUTINY? Aha, only the readers will know!]






It took some searching to find a toy submarine that fitted the plot for MUTINY. Those readers who have finished the book will understand the relevance of this toy to the story.