Why do I kill off all the women – or do I?

My wife is reading through MUNTINY and, after some personal revelation, accused me of “killing off all the women.” I just smiled when she asked, “What happened to Claudine. Did you kill her too?” I smiled a bit wider and let her finish with, “All the women die in your novels.” Now, this morning, she accused me of letting a male character die, so I’m caught both ways. I could only reply that ‘I never saw that coming when I started writing that chapter” and she said, “Neither did I!”

The point is, this is a novel and it is often a surprise when a person you have come to like gets eliminated. This sudden turn of events can throw out your preconceived notions of how the plot will end. Character assassinations – literally – throw readers off the scent and sudden twists can ratchet up the action. That’s what makes a thriller, well, thrilling.

What was the outcome of my wife’s conversation about the sudden turn of events that surprised her? She wants to find out what happens and is keen to read more. Aha, I have won over another reader of MUTINY.

Your First Novel is Never Your Best

I remember reading somewhere that ‘your first novel is never your best‘ and I felt like slamming that statement. Why? I had just spent months and months slaving over my manuscript and pitching it to literary agents – who I was sure would line up at my door to make an offer I couldn’t refuse. The truth is far harsher. I now agree with the lead statement, but only because I have written a second novel – MUTINY – which I believe is a far richer and fuller novel than my first one. And I proved it by reading through my first novel – 3 WISE MEN – again and re-editing it to tidy up clumsy plot errors and improve grammatical flow. Another reason why my first novel is not my best is because I took far longer to write my second – giving it more time to mature. My second novel is more thoughtful and less hurried, and this approach led to better plot development and a more nuanced novel. MUTINY has a depth that was lacking in 3 WISE MEN but, then, it does literally go to greater depths too!

Shocked, Surprised, Scared?

I have a wonderful wife who scares easily – so I tend to not surprise her.

There was one surprise birthday I arranged for her though and I am still recovering from that one. Anyway, when there is a sudden scare in a movie or a dog barking at us on a dark night, she jumps – oh, boy, she jumps! I mention this because, as an author, I love weaving a surprise of two into my novels and the reaction I get is encouraging – e.g. “I didn’t expect that.” After all, what would a thriller be if there were no surprises? Better still, I like to have an unexpected twist in the final chapters – one that opens the door for a sequence, yet still brings a sense of completeness to the book.

The funny thing about some of the surprises in my books is that I get surprised while writing them – though not as shocked as my wife.

Not writing – well, not intentionally!

Well, dear bloggers, this may shock you—I am on a long vacation but have no intention to write another book. That’s right, it’s about celebration—celebrating my wife’s very special birthday in Paris. So, writing will take a back seat, though that’s not to say that I won’t find inspiration in being in different places and watching out for interesting characters or settings for my next novel. Will it be a thriller set in Vienna, or a romantic novel based in France? Who knows? The most wonderful thing about writing is that it has few bounds, and the richer the experience (either good or bad) can result in a more satisfying read. Well, that’s the intention.

So, roll on Singapore, Vienna and so many other places – some we have been to before and some that are new. I must confess that my writing is richer from having been to unique and special places and I am grateful for the opportunity. I also feel obliged to share some of these with my readers. They add detail and authenticity to my writing—a firm foundation for the action. Which raises the question—how accurately do I write? The answer is ‘mostly’. I do take literary licence at times, but only to propel the action. where necessary :-).

Beta Readers are like Gold

I value my Beta Readers. Like gold, they shine bright and their feedback is invaluable. A keen reader of thrillers – who has devoured over 30 books this year so far – has just finished my book. He was tasked with general feedback, rather than detailed analysis. The golden nugget for me was his comment that he felt the story only got flowing with the submarine action. This got me thinking about the sequence of chapters and made me realise that I could bring the underwater action forward. After some heavy cut-and-paste, this action now begins at Chapter 3 and the story is better paced and more engaging. My reader made a few other passing comments which has led to further tweaks and a better novel. This one made me smile;

“I had a feeling that the story was going to end with a twist and it was a good one.”

Conclusion? Beta Readers are like gold!

Here is an easy guide for Beta Readers:

  1. Identify characters who are not engaging so I can strengthen or remove them.
  2. Identify anything that’s confusing (chapters, paragraphs, or dialog).
  3. Evaluate Plot and Pace: was the book a “good read” that kept you engaged and wanting more? If not, what parts lacked engagement?
  4. Finally, the ending: was it OK? Unexpected? Can you think of a better one?
  5. Would you tell your friends about this book after having read it?

The ART of Surprise

In my last post I outlined the need for surprise in a novel. let me elaborate. An accomplished thriller writer draws you into their story by establishing characters and setting. You need to get comfortable as you read; settle into a false sense of place. Then, POW, you are woken out of your expectations to confront a dramatic shift in character (known as a character arc) or a sudden change of events that take the story in a new direction. In my last novel, this happened quite by chance. I was doing some substitute teaching and had a spare hour. During this time, I began writing and the change in events just “happened.” What happened? Aha, should I be giving that away? Let’s just say it surprised me and my readers more so when the book was released. Oh, I love surprises, but they must be believable and not too far-fetched; a device to keep you reading, keep you guessing and to keep the plot flowing and not stagnating.

The water in a flowing river ripples over rocks and this keeps it fresh. I hope my stories work like that—like a flowing stream that has a few eddies and a few quiet ponds, but then races downhill over rapids to arrive full of oxygen and life. Ask yourself this question as a writer; does my writing suck oxygen from the reader or pump oxygen into them? I have had the privilege of taking high school students down New Zealand’s Whanganui River. By the end of the trip they were all looking forward to more rapids and became exited when they could hear the roar of water ahead of them. Stories can be like that too.

Another Reader Review

I have finished reading 3 WISE MEN. I have to say that, for me, the story was right up there with what David Baldacci and James Patterson write. I enjoyed the whole story and was somewhat disappointed when xxx was killed off and I guess for that matter the same with xxx…I look forward to Jak’s next adventure.” by Les Wills [reply: my next thriller does not feature Jak, but I have plans to use him again. ]

On a Cold and Rainy Day

What to do on a cold and rainy day? I could finish painting the spare bedroom, but the weather is damp and the paint won’t dry very well. I could take my wife out for a coffee, but she is ill and resting. I could keep editing my new book—or, rather, what I call fine-editing since the major editing is finished. No, I need a new inspiration. So, I decide to work on my first book; produce a new cover, revise the first chapter and update the About the Author page. My goal is to have this done in three days. Meanwhile, my darling publisher Amazon have changed their Kindle format from .mobi to .pub, so that requires more work :-). The next day, I have a head cold and don’t feel like doing much at all. But, the weather is warmer and the painting is almost finished. I’m praying for a better week ahead and a new-look to the bedroom as well as my first book. More news to follow if all goes well. {PS: good progress on both the bedroom renovation and book revisions. The text changes are done and have been uploaded to Amazon. Now I am working with my illustrator with final touches to the cover. All will be revealed soon}

Author or Writer?

“I have a charming relative who is an angry young littérateur of renown. He is maddened by the fact that more people read my books than his. Not long ago we had semi-friendly words on the subject and I tried to cool his boiling ego by saying that his artistic purpose was far, far higher than mine. He was engaged in “The Shakespeare Stakes.” The target of his books was the head and, to some extent at least, the heart. The target of my books, I said, lay somewhere between the solar plexus and, well, the upper thigh. These self-deprecatory remarks did nothing to mollify him and finally, with some impatience and perhaps with something of an ironical glint in my eye, I asked him how he described himself on his passport. “I bet you call yourself an Author,” I said. He agreed, with a shade of reluctance, perhaps because he scented sarcasm on the way. “Just so,” I said. “Well, I describe myself as a Writer. There are authors and artists, and then again there are writers and painters.”

This rather spiteful jibe, which forced him, most unwillingly, into the ranks of the Establishment, whilst stealing for myself the halo of a simple craftsman of the people, made the angry young man angrier than ever and I don’t now see him as often as I used to. But the point I wish to make is that if you decide to become a professional writer, you must, broadly speaking, decide whether you wish to write for fame, for pleasure or for money. I write, unashamedly, for pleasure and money.” by Ian Fleming

5 Key Elements for a Thriller

While hosting workshops in the USA I found that the most popular ones were those with a catchy title, such as “10 Top Tips for Technology Teachers.” Hence the title for this post. Catchy, huh? Well, almost. The danger is that my top 5 tips might not be your ones. The following are from an article in masterclass.com and I will personalise a few to give my perspective. Let’s get into this:

  1. Make your main character compelling. In the thriller genre—just like in real life—a conflict is rarely as simple as “good guy vs. bad guy.” Good thrillers often feature protagonists that are flawed and complex…Readers relate to imperfect heroes, and having a main character with flaws will increase the tension and stakes of your story. Having a deep, three-dimensional main character is an essential ingredient of a successful thriller. [I totally agree. Of most importance is to allow the flaws in your main character to enable them to change/flip 180 degrees/grow into the villas. Mine did this by mistake. He started out as an ageing spy, but…oops, can’t give it away that easily!] Can you find the main character here below? Yes, of course you can, but is he/she compelling enough to stand out among the others?
    More about character flaws can be found here.
  2. The opening scene has plenty of action. Readers MUST be on the edge of their seats from the very first page. The opening scene of a thriller novel should introduce the crime, conflict, or stakes as quickly as possible. The best thrillers hook their readers with instant action, then fill in the necessary character and storyline information later. [Comment: avoid fluff at the start. Action, action, action. Some suggest that a thriller should start at the point of most conflict, then unpack it in the following chapters.]
  3. Create an interesting villain. Even your antagonist is unforgivable, their motivations should be rooted in a relatable desire or emotion. In other words, they should be motivated by their own twisted, internal logic (e.g. The Silence of the Lambs its subsequent sequels, readers learn through flashbacks that Dr. Hannibal Lecter witnessed the murder of his sister when he was young. Therefore, Dr. Lecter is more than just a psychopathic serial killer—he is a person whose evil actions stem from a heartbreaking trauma). Readers are more likely to be engaged in your villain’s story and character development if they can recognize seeds of themselves in your antagonist.
  4. Build obstacles for your protagonist. If there’s one thing that all bestselling authors of thrillers are good at, it’s putting their protagonist in harm’s way. Your main character should experience heartbreak, trauma, and anxiety throughout the book. Sometimes, the most effective obstacle is a ticking clock or strict time limit to complete their task. Obstacles will also increase the narrative satisfaction of the end of the book, when your protagonist finally overcomes the hurdles and triumphs over adversity. [Yes, have a chase that is race against time.]
  5. Add plenty of plot twists and turning points. More so than any other genre, thriller novel writing requires the story to contain an abundance of plot twists, turning points, and cliffhangers. If you’re experiencing writer’s block when writing a scene, ask yourself what a reader might expect to happen next. How can you subvert those expectations? If a scene feels uneventful, think about what plot element or character you can introduce to raise the stakes or create a dilemma for your protagonist. Plot twists will ensure that your thriller is a page-turner and make it impossible for your reader to put it down. [Right on! In my last thriller I was writing a new chapter when it suddenly took a turn that I never expected.]