Freedom

The more social controls we put upon people, the greater the cry for freedom, but what does freedom really look like? Freedom is a recurring theme in MUTINY and reference is made, in Chapter 25, to Big Brother from George Orwell’s Nineteen Eighty Four:

Nineteen Eighty Four

[Michael clears his throat. “In his 1949 novel – NINETEEN EIGHTY FOUR – George Orwell feared a Big Brother who would control us all, even our thoughts. I’m afraid we have arrived at the gates to this Orwellian world and are mesmerized by distractions that disguise what is really happening to us. The very foundations of society are crumbling.”]

A parallel to 1984 is the life of the protagonist, Sir Christopher Jenson. He seems to have lost his career mojo and, when an investigation goes awry, he is more than willing to change. And, so are a few other characters and I think this ‘freedom’ theme helps create several layers in MUTINY.

Orwell’s predictions are rapidly finding fulfilment in society today, aided by many geo-political conflicts. Yet, in the midst of these, MUTINY is able to finish on a positive note – one that leaves Sir Christopher with a sense of hope and love. Was it planned that way or did it just ‘happen.’ Perhaps the readers will find the answer.

It’s More Blessed to Give than Receive – The 4%

“It’s more blessed to give than receive” are famous words that Jesus spoke and they are a universal truth, even in today’s materialistic society. I have often wondered how I could apply this when being a tourist and taking photos of people. What I do now, is get the email of my subject and send them a copy of my pictures. When my wife and I were in Milan on our first visit I took a photo of a barista in a popular cafe and then, three years later, went back with a print to gift to the subject. When he saw me there was a flicker of recognition  and he was so grateful for the photo and even brought us free drinks when we sat down for lunch. In a similar act of kindness, while in Zagreb, we offered to take our airbnb host out for coffee and we got to learn of his experience being shot during the Croatian War  of Independence from 1991-95,  Our host related the drama of being hit by a bullet and his story unfolds in the pages of MUTINY. The more time you spend relaxing with someone, the more you learn about them and such  moments can (with a little imagination) transform them into characters in a novel. ‘Giving’ is a subtle theme in MUTINY and eluded to in this exchange in Chapter 87:

“Did you know, Chris, that ninety-eight percent of people spend ninety-eight percent of their time doing things that don’t matter? That’s a ninety-six percent failure rate or a probability of point nine-six-zero-four to be exact.”

“Wow, Ravi, your genius never fails to impress me.”

“Chris, you are now in the four percent of those who are doing, or planning to do, what really matters to bring positive change to our world. We are never remembered for how much we have, but by how much we give…”

Hidden Code and Characters as Plain as Day

Could it be that the protagonist in MUTINY is hiding a secret connection to another person? Perhaps it’s in the person’s description or behaviour, or hidden in their initials? I’m not yet prepared to reveal all, but I take great pleasure to include snippets of people I know in my characters and MUTINY has plenty of them. For example, Warren the Whistler is based on a family member and he knows this, though it didn’t help him live any longer in the plot. That is the power the writer has – the power to build up a character and the power to cut them down; the power to make them guilty and the power to claim their innocence. Every story is a sum of multiple experiences, woven to build an authentic story. I must admit that MUTINY does draw from a lifetime in education as well as work experience beyond the classroom. I hope you enjoy the tapestry of settings in this novel.

Trieste Part Deux

View of Trieste with the main harbor in the top left

James Joyce’s time in Trieste (1904-1920) became the literary cradle for his famous works, especially Ulysses. As I mentioned in an earlier post, I was unable to make Trieste a compelling location for MUTINY, but managed to give it a cameo part when writing some back story for Claudine. And, I must say, it fitted her character rather well:

“But you work in Trieste?” he asks.

“My film company was based there.”

“Was?”

“Trieste is difficult.”

“Why difficult?”

“It’s funny,” Claudine replied, “but I was lonely there, even with my friends. It’s a city cramped between the hills and the sea, waiting for something exciting to happen.”

“But Trieste was a hot spot during the cold war?”

“The only excitement now is when the Bora wind barrels down the desolate Dolomites and stirs up dust and umbrellas as it roars through the city to create a boiling sea. And heaven help you if you’re wearing a dress.” She smoothed the folds in her dress as if reliving the moment.

“The Bora stopped us doing any outdoor shoots unless we has actors lying flat and clinging to lamp-posts. I felt like an exile in Trieste. It killed my creativity.”

“But I thought the famous author James Joyce wrote some of his best work in Trieste?”

“I guess so,” she replies. “He had a girlfriend and his genius to keep him company – though, the locals informed me, it was an unhappy threesome. It was better to move my business to Split, which is why I am here. And, I must tell you Karlo, it’s far more exciting.”

Character Arcs

In simplest terms, a character arc is the change a character goes through over the course of a story. This makes characters relatable, interesting, and vulnerable—and very human. A fantastic character arc can bring tears to our eyes, drown us in dread, or cause us to cheer in triumph. A moral ascending character pushes a hero past their flaws and weaknesses, and they become a better person. While the key may sometimes be friendship, it could also be compassion, trust, family, or sacrificing for the greater good. A positive character arc can bring us to tears.

A good example might be Hans Solo in Star Wars. He’s our favorite stuck-up, half-witted, scruffy-looking, nerf herder and only cares about one thing—money. He constantly reminds the other characters that his reason for being there is only for the money. The others try to convince him that he is better than that, that he believes in something worth fighting for. He ignores them and runs off before the final battle. Then when all hope is lost, Han saves the day because of a change of heart. Classic.

But, from a writing perspective, a character arc has to have solid reasons for the change. In MUTINY, the protagonist – Sir Christopher Jenson – questions his loyalty to his career and the outcome becomes plausible, though unexpected. And, in a plot twist, the main character arcs dovetail to a surprising conclusion. Enjoy.

My Greatest Joy

My greatest joy as a writer is to have affirmation from my middle daughter that she “just can’t put the book done – it really flows now.” This lovely comment was made today though, to be fair, she said that the early chapters took more careful reading – perhaps as these were establishing the characters. She also missed a connection between “Warren the whistler” and a relation of ours, and laughed when I pointed out the similarity. It’s great to have such feedback when our daughter drops in (she only lives a few minutes from our place).

Too Many Characters?

Characters

Superman, releasing in July 2025, is stacked with characters. In the movie, we know that Superman/Clark Kent (obviously), Krypto, Lois Lane, Ma Kent, Pa Kent, Green Lantern, Hawkgirl, Mister Terrific, Metamorpho, The Engineer, Lex Luthor, Perry White whoever the large man in all black is, and now, possibly Supergirl are in the movie. That’s thirteen characters in the film which is certainly quite a few, and that doesn’t count other characters we don’t know about yet. The question is, is that too many?

I came across this problem early in my new book. When I say ‘early’ I mean in Chapter 3. My wife read it and said that the number of characters made it confusing and my sister said the same. So, was it chop, chop? Not quite. I overcame the problem by adding a new chapter before #3 and using it to introduce just two characters and create the relationship between them. Yes, it took a while to figure out, but has made a big difference to the readability and flow of the plot, and a cleaner character development.

Editing is Like Rotating Wine Bottles in a Cellar

There is much debate and mystery to the idea of having to turn wine bottles to improve their flavour and consistency.

My book has 86 chapters and I look on each one as a bottle of wine, lying on shelves in a cellar. And each, like a good wine, needs to be left to age, then turned from time to time. I have left the ageing process alone and now feel that I am in the final stages of turning each bottle – that is, carefully editing each chapter and checking that it is ready for publication. I hope that when it is, it will taste and feel special to my readers, with no wasted words or any sentences that fail to support the “label”.  Which segues nicely to the role of wine in my new book. Wine does indeed have a place or two, but only when characters meet. Of course, too much wine can lead to problems and this may well happen to one or two of my characters. All will be revealed in due course.

What’s in a Name?

What’s in a name? That which we call a rose by any other name would smell just as sweet.”

William Shakespeare uses this line in his play Romeo and Juliet to convey the idea that the naming of things is irrelevant. Now, who would I be to question Shakespeare. But, a name may be relevant in conveying something more important than the person or object? For example, we name our children after their grandparents for example. In my new novel, why did I chose the name Captain Ted Cooper for my submarine commander? Ted Cooper was a close neighbour and friend I knew in high school. We were both in a school play – King Lear as it happens. I remember being a guard in the play and Ted was backstage. After the last performance, to celebrate we sailed a twenty-four foot wooden boat into the night. We were blind like King Lear – unable to see in the dark  –  and eventually beached on an island to get some sleep. The boat leaked, but we happily explored and had a great time. Ted went on to serve in the merchant navy as a captain before passing away at a rather young age. Using his name seemed most appropriate for the submarine commander in my book. Any other name was (sorry, Shakespeare) not quite as sweet. Of course, I did check out the list of USA sub commanders, the most famous being Richard H. O’Kane of World War II fame. There was no “Cooper” among them and, therefore, unlikely to be any objection.

The ART of Surprise

In my last post I outlined the need for surprise in a novel. let me elaborate. An accomplished thriller writer draws you into their story by establishing characters and setting. You need to get comfortable as you read; settle into a false sense of place. Then, POW, you are woken out of your expectations to confront a dramatic shift in character (known as a character arc) or a sudden change of events that take the story in a new direction. In my last novel, this happened quite by chance. I was doing some substitute teaching and had a spare hour. During this time, I began writing and the change in events just “happened.” What happened? Aha, should I be giving that away? Let’s just say it surprised me and my readers more so when the book was released. Oh, I love surprises, but they must be believable and not too far-fetched; a device to keep you reading, keep you guessing and to keep the plot flowing and not stagnating.

The water in a flowing river ripples over rocks and this keeps it fresh. I hope my stories work like that—like a flowing stream that has a few eddies and a few quiet ponds, but then races downhill over rapids to arrive full of oxygen and life. Ask yourself this question as a writer; does my writing suck oxygen from the reader or pump oxygen into them? I have had the privilege of taking high school students down New Zealand’s Whanganui River. By the end of the trip they were all looking forward to more rapids and became exited when they could hear the roar of water ahead of them. Stories can be like that too.